I give thanks... for tape transfers! (Students of Neill Humfeld, you will want to read... ;)

I have many things to be thankful for this Thanksgiving.  A wonderful, healthy family, colleagues that are the absolute best to work with, and a job that I love.  However, on the music front, one thing stands out to me this November that I didn’t see coming, even a month ago.

I have previously written about my teacher, Dr. Neill Humfeld, and his influence on me, and a little about his musicianship and teaching.  When Dr. Humfeld passed, my dad and I came into possession of a couple boxes of analog tape (the reel to reel kind) containing all kinds of recordings of Dr. H from many years of recitals and concerts.  It has been one of those things that  I look at and say, “man, we really gotta get that transferred so we can listen to it!”  I never knew what that entailed, or how you would even go about doing it, until recently...

Fast forward to the past year, where my own interest in audio, especially in producing and preserving live performances, has come into play.  This fall, coincidentally, I have been taking a course online through Berklee College of Music called Audio Mastering, taught by an expert engineer, Marc Dieter-Einstmann (check out Marc’s mastering studio HERE).  Mastering is the final step in the production process for any audio recording.  A recording gets made (live or in studio), and then gets mixed.  In the mixing stage, the mix engineer takes all the audio that was recorded (sometimes as many as 100 tracks or more), and essentially places all those voices in the stereo field (where you locate that sound when you hear the recording) and gives the recording it’s tonal shape, and many other musical variables that make a certain record sound unique.  In mastering, the engineer takes the fully mixed recording and puts the finishing touches on it.  These can be musical or tonal adjustments (maybe something the mix engineer missed or didn’t hear), technical corrections (bad edits, noise removal), and general quality control.  Finally, a mastering engineer will set the loudness level of the recording, and produce a “master” containing all the tracks of the album, in the correct order, and with great care to ensure there are no functional errors.  

To hear these performances come back to life, after over 50 years for some of them, is truly a delight.  To hear Dr. Humfeld’s sound, in performances I’ve never heard before, is truly something to be thankful for.  

So, what to do with these?  Well, after speaking with Dr. Humfeld’s daughter, Nancy Jo Humfeld, I would like to continue to transfer more of these recitals and create a “BEST OF” album of Dr. Humfeld’s recitals over the years.  On many of these tapes, he speaks at length to the audience about the music he performs, and many of the recordings reflect his warm sense of humor that many of us came to love from knowing him.  

Stay tuned, there is much more to come.  I plan to make this project a major focus of my 2019.  

Happy Thanksgiving to you and yours.  May you all be blessed to love, make music, and enjoy the people in our lives that are important to us!

Shopping around

I have had the chance to visit a lot of universities over the past 10 years, both with my regular job, and as a member of Valor Brass. I was in Texas last weekend and while there, I had the chance to discuss with a young trombone player his upcoming graduate school auditions. We talked at length about the experiences he's had so far just setting up his auditions. It's always interesting to visit different schools. Like auditions, I feel like you often can tell within a few minutes of walking in an institution what kind of atmosphere you will find as a student. Correspondence with the admissions office, registrar, and faculty is a good indicator of how that institution feels about your application and about you as a student.

Some schools are welcoming, open, helpful, accommodating, and just downright encouraging. Others are unresponsive, rigid, not accommodating, and may make you feel as if they are doing you a favor by opening your application!

It might be true that a specific teacher will be best for you in spite of the institution where they teach. However, there are definitely numerous options for less-expensive, smaller, less well-known programs from which to choose. Bottom line is, find a teacher that works for you, and if it doesn't cost $50,000 per year, then all the better!

So, as you hit the college audition trail, think about the way you are received. Besides finding a great teacher, you are shopping for a great institution as well. There are a large number of hidden gems out there!

Good luck,

The Virtual Trombonist