New Album from Jonathan Bisesi
New (and old) album from percussionist, Jonathan Bisesi, with recording and re-mastering by Clark Media Productions.
Read MoreClark Media Productions is a place for me to share my love of audio production, music, trombone, and music technology. Subscribe to my email list for late breaking blog posts, videos, and educational content!
New (and old) album from percussionist, Jonathan Bisesi, with recording and re-mastering by Clark Media Productions.
Read MoreMy good friend and principal trumpet of the San Diego Symphony, Chris Smith, and buddy Tim Saeger (San Diego based trumpet artist and teacher), made this fantastic multi-trumpet video of Hark! The Herald Angels Sing! I’ve been doing some mastering work for their virtual productions this year, and it has been an absolute blast! The guys asked me to master this production for them as well, and as soon as I heard Wesley Nance’s fantastic arrangement, I knew this one would be special. Enjoy!
Trumpeters on this recording are:
Choir 1
Trumpet 1 - Christopher Smith, Principal Trumpet, San Diego Symphony
Trumpet 2 - Wesley Nance, 2nd Trumpet, Rochester Philharmonic Orchestra
Trumpet 3 - Micah Wilkinson, Principal Trumpet, Pittsburgh Symphony Orchestra
Trumpet 4 - Chad Winkler, 4th/Utility Trumpet, Pittsburgh Symphony Orchestra
Trumpet 5 - Andrew McCandless, Principal Trumpet, Toronto Symphony Orchestra
Trumpet 6 - Jennifer Marotta, Assistant Professor of Trumpet, USC Thornton School of Music
Choir 2
Trumpet 7 - Jim Wilt, Associate Principal Trumpet, LA Phil
Trumpet 8 - Jeffrey Strong, 3rd/Utility Trumpet, LA Phil
Trumpet 9 - Tom Hooten, Principal Trumpet, LA Phil
Trumpet 10 - Christopher Still, 2nd Trumpet, LA Phil
Trumpet 11 - Karen Donnelly, Principal Trumpet, National Arts Centre Orchestra | l'Orchestre du Centre national des Arts
Trumpet 12 - Conrad Jones, Principal Trumpet, Indianapolis Symphony Orchestra
I have many things to be thankful for this Thanksgiving. A wonderful, healthy family, colleagues that are the absolute best to work with, and a job that I love. However, on the music front, one thing stands out to me this November that I didn’t see coming, even a month ago.
I have previously written about my teacher, Dr. Neill Humfeld, and his influence on me, and a little about his musicianship and teaching. When Dr. Humfeld passed, my dad and I came into possession of a couple boxes of analog tape (the reel to reel kind) containing all kinds of recordings of Dr. H from many years of recitals and concerts. It has been one of those things that I look at and say, “man, we really gotta get that transferred so we can listen to it!” I never knew what that entailed, or how you would even go about doing it, until recently...
Fast forward to the past year, where my own interest in audio, especially in producing and preserving live performances, has come into play. This fall, coincidentally, I have been taking a course online through Berklee College of Music called Audio Mastering, taught by an expert engineer, Marc Dieter-Einstmann (check out Marc’s mastering studio HERE). Mastering is the final step in the production process for any audio recording. A recording gets made (live or in studio), and then gets mixed. In the mixing stage, the mix engineer takes all the audio that was recorded (sometimes as many as 100 tracks or more), and essentially places all those voices in the stereo field (where you locate that sound when you hear the recording) and gives the recording it’s tonal shape, and many other musical variables that make a certain record sound unique. In mastering, the engineer takes the fully mixed recording and puts the finishing touches on it. These can be musical or tonal adjustments (maybe something the mix engineer missed or didn’t hear), technical corrections (bad edits, noise removal), and general quality control. Finally, a mastering engineer will set the loudness level of the recording, and produce a “master” containing all the tracks of the album, in the correct order, and with great care to ensure there are no functional errors.
To hear these performances come back to life, after over 50 years for some of them, is truly a delight. To hear Dr. Humfeld’s sound, in performances I’ve never heard before, is truly something to be thankful for.
So, what to do with these? Well, after speaking with Dr. Humfeld’s daughter, Nancy Jo Humfeld, I would like to continue to transfer more of these recitals and create a “BEST OF” album of Dr. Humfeld’s recitals over the years. On many of these tapes, he speaks at length to the audience about the music he performs, and many of the recordings reflect his warm sense of humor that many of us came to love from knowing him.
Stay tuned, there is much more to come. I plan to make this project a major focus of my 2019.
Happy Thanksgiving to you and yours. May you all be blessed to love, make music, and enjoy the people in our lives that are important to us!