Clark Media Productions

Clark Media Productions is a place for me to share my love of audio production, music, trombone, and music technology. Subscribe to my email list for late breaking blog posts, videos, and educational content!

Cold Weather "artistry"

So the cold and gloomy weather in Washington, DC got me thinking lately about some of the work I do outdoors with a trombone in my hand! I have had a number of questions over the years from people interested in how I deal with performing in less-than-ideal circumstances. For now, I will talk about cold weather, as I think that is, for me, the greatest weather related challenge I face. I define "less than ideal", for myself, as basically under 45 degrees Farhenheit, and outside with no heaters or weather protection. This might include sitting on a stage that's covered, but has no wind protection, or it might include rain or even snow. This also usually means doing this for greater than an hour or two. Think 8 hits outside in 40 degree weather, 10mph wind, and occasional spurts of playing.

Here's a list of essentials that I remember when I head out the door to play in cold weather:

1. Plastic Kelly mouthpiece - this thing is indispensable. I used to play a mouthpiece with a delrin rim, but in extreme cold, having the entire mouthpiece made from plastic is a huge improvement. It warms up very fast and stays warm longer. That's important, because endurance can be extremely reduced in the cold. For me, playing in the upper register becomes much more taxing, and the sound tends to thin out greatly on a cold metal mouthpiece.

2. Trombones slides start to freeze at about 25 degrees. At 15 degrees, they may freeze so solid that you are unable to move them at all! Ask me how I know! When forecasted, fill a small spray bottle with antifreeze and try not to use the F attachment valve!

3. Under Armor 4.0 long underwear. Expensive as hell, but it works great and fits tight so you can fit it under whatever clothing you are performing in.

4. Gloves... Boy, this is a hard one. I don't have gloves that are remotely effective at work for keeping my hands even moderately warm while holding a metal object in the cold, not to mention when it's raining! For trombonists, mittens combined with chemical hand warmers would be the way to go if you have the option. Once the hands get cold, it's all over. Let the pain begin!

Speaking of chemical warmers... I have found them to be very unreliable. They have to be fresh (expiration date) and they can't be in an enclosed space as they depend on air circulation to generate heat.

5. Be reasonable with your playing expectations. Expect to have less endurance, range, and facility and plan for it. If you are in charge of music selection, pick something that seems "easy" in a comfortable rehearsal setting. Go easy on the loud dynamics and use your "safe soft" piano dynamics as needed.

This is just a few of my best suggestions for dealing with the cold! Everyone has their own special sauce when it comes to layering, mouthpieces, and staying warm. If you can add to it, please leave some suggestions in the comments!

Stay warm,

The Virtual Trombonist

Finale: stuck in a time warp

As the new year began, I set out to work on some projects that I have been thinking about for a while. A few of the projects involve new arrangements and new parts generated via music notation software. I had Finale 2004 already on the computer so I decided to upgrade to the "new" 2014 edition. As I installed the new version I was anticipating opening up the software and encountering an updated, visually compelling, and user friendly version of the program I actually took a course on while completing my doctorate at Catholic University. Imagine my surprise to see that 10 years have passed and Finale looks pretty much exactly the same as it did in 2004!

Now, I will say that the software so far still has the level of functionality it had previously. You can still input music in various ways, generate scores and parts, and create music. I just thought that after 10 years they would have improved the interface greatly, or at least lowered the price significantly. Amazingly, a new version is still $600! Yikes!

I haven't used Sibelius much, but I think it may be time to take a look. I question when a company makes very little improvement to a product and still charges the same amount, what their level of dedication is in the long run...?

Thoughts???

Marine Band concert live streamed tomorrow!

http://www.marineband.marines.mil/ Fun concert tomorrow... Our annual Sousa Season Opener... Start time is 2PM EST... The program includes Wagner's Rienzi Overture, and my friend and Valor Brass compadre Michael Mergen is performing a smokin' Herbert L. Clarke cornet solo. If you haven't heard great cornet playing, then by all means, check it out! Mike also always manages to give a master class in multiple tonguing when he plays these solos. His triple tonguing is probably the cleanest, smoothest triple tongue I have ever heard! Interestingly, he dug this particular solo up while researching Clarke for his DMA lecture recital. It was housed at the University of Illinois music library where Clarke's collection is curated. I believe this particular solo, called "Nereid" hasn't been played since 1918! Enjoy!

Powered by Squarespace